A skit talking about bottling up our past.
Cast
Stacy — She’s in her early forties, upper-middle class, comes from the big city, has an air of sophistication, and has an Ivy League education.
Fran — She’s in her late thirties, middle class, comes from a small town, is confident, has a four-year degree from her local university, is Stacy’s best friend, and lives in the apartment across the hall.
(Scene One: The stage is dark except for a small lamp on the table to the left of the couch. It’s just bright enough to light the person sitting nearby. Stacy is sitting with a cup of tea in one hand and a book in the other. It’s late, and she’s on her third cup, but the book is starting to get interesting. Besides, tomorrow is Saturday. She adjusts the pillow, snuggles into the couch, and settles in for an all-night reading session.)
FRAN
(enters stage right, flips on the lights)
I’m heading out to dinner, and I thought you’d like to come along.
(Stands behind the couch)
STACY
(Slams her book closed stands up)
Why do you insist on barging in? What if I was entertaining or indisposed?
FRAN
(Looks at Stacy for a second as she rolls her eyes.)
There wasn’t a sock on the door, so I figured it was safe.
STACY
(Crosses to the kitchen)
You know I wouldn’t do that. Nor would I have a one-night stand to utilize such a childish technique.
(Pours another cup of tea and heads back to the couch)
FRAN
(Walks around to the front of the couch.)
Next time, deadbolt the door. Do you want to come with me? The night is still young, and you’ve been working late all week for several weeks. It’s not going to ruin your reputation…or lack thereof.
(Fran notices that a week’s worth of mail is on the coffee table, and Stacy hasn’t cleaned her apartment in several days, which is not like Stacy.)
STACY
(Ignores the “reputation” comment.)
I’m not in the mood to fix my hair and put on makeup. I’ve already eaten, and our definitions of “the night is still young” differ entirely. Plus, I gave you that key for emergencies, not as an invitation to enter whenever you like.
(Opens book and takes a sip of tea.)
FRAN
(Ignores her response)
How’s work? From the look of it, you’ve been cooped up in your apartment for a while.
(She sits on the couch and props her feet up.)
STACY
(Offended, stands up)
Of course, I’ve been going to work. I haven’t had the time or energy to clean this week.
(She starts to pace and fidget.)
The company has a few of us working on a new project for an upcoming meeting with all the bigwigs.
(She starts straightening up, nervously trying to hide what’s going through her head.)
FRAN
(Knows something’s wrong and that Stacy won’t talk about it until she’s about to explode.)
Relax, I wasn’t trying to question your work ethic, and I know that these projects tend to consume your thoughts. I hoped you’d do something outside the apartment to unwind instead of sticking your nose in another book.
(Fran walks over to Stacy, who has stopped straightening the living room. Stacy heads to the kitchen to make another pot of tea. She stares at the kettle as it boils.)
FRAN
(Walks over to Stacy)
What’s wrong?
(She doesn’t want to push her, so she waits)
STACY
(Starts to say something, still staring at the kettle, but stops. She knows that Fran isn’t going to judge her or try to fix the problem, but it’s just so difficult to get out of her head when her thoughts become so heavy.)
FRAN
(Places a hand on Stacy’s shoulder, letting her know she’s not going anywhere.)
STACY
(Fighting the tears that desperately want to flow. The kettle starts to whistle. She doesn’t look at Fran as she moves the kettle from the burner.)
Would you mind staying for tea?
FRAN
I don’t know. You’re not dressed for the occasion.
STACY
(laughs)
Well, what are you in the mood for? You know where I keep everything.
(She sets the kettle on the coffee table.)
FRAN
(Takes the large tea container, cream, sugar, and a mug.)
So, what’s the project this time? Or can you tell me?
(They select some tea, and Stacy pours the water.)
STACY
I don’t work for the CIA. Why do you think every project I’m assigned to is top secret?
FRAN
(angry)
Because every time I ask you, you look at me like I’ve just asked you to rob a bank!
STACY
(gasps)
No, I don’t!
FRAN
See, you’ve already started to panic. You’re arranging your mail by date.
(Takes out the tea bag and adds some sugar.)
STACY
(stops, irritated)
I hate that you are so observant.
(Takes out the tea bags and adds cream and sugar.)
I don’t like talking about the big projects because you might let it slip to someone, and then they’ll tell someone, and so on. I work for an advertising company, and you know how important these projects are and how competitive this industry is.
(She takes a sip of tea as if she’s just explained the meaning of life.)
FRAN
(defeated and furious, sets her cup down)
Who would I tell? None of the people I hang out with would give two cents for that information! I’m a secretary for a CPA!
STACY
Exactly. One of your boss’s clients might work for a rival ad company.
(Sips her tea in triumph)
FRAN
(rubbing forehead)
You’re killing me. Why do you insist on making our conversations so complicated?
STACY
I do not! You insist on asking me questions I prefer not to answer. It’s rude to ask about confidential work matters.
FRAN
I’m not asking you to break HIPPA or OSHA laws. You don’t want to talk about anything that goes on at work, and that worries me. You’ve put in long hours, at least one week a month, for the past six months, and every time this happens, you get like this.
STACY
(Jumps up, spilling her tea.)
Like what?
(Goes to get a towel.)
FRAN
(Follows Stacy and grabs the towel from her.)
Like this! Stressed, reclusive, and avoids talking.
(mops up tea)
STACY
(Silent for a moment)
I’m sorry. I have a tough time recharging after putting in this much overtime.
(Frand hands her the towel and sits back down. Stacy throws the towel in the sink.)
FRAN
I know something else is bothering you, and don’t say it’s that time of the month.
(She crosses her arms and waits.)
STACY
(The weight of Stacy’s thoughts finally breaks, and she starts to weep, slumping to the floor. Fran is shocked. She’s never seen Stacy like this and never wanted to again. Her friend was hurting so bad, but why would she hold everything inside to the point she’s this broken?)
(Fran kneels beside Stacy and wraps her arms around her, rocking back and forth.)
(Lights slowly fade out.)
END SCENE ONE
(Scene Two: The lights come back up. Fran and Stacy are sitting on the floor, leaning against the cabinets. A box of tissues is next to Stacy, and they each have cups of tea.)
STACY
I’ve never told anyone this, and I’m not sure if it matters, but I never understood what being an introvert meant until a few years ago. I just thought it was a word people threw around.
FRAN
It is a word people throw around.
STACY
(rolls her eyes)
I know. I’m not that dense.
FRAN
Well…
STACY
(punches her arm)
FRAN
Ouch! You know, you’ve got a decent punch for a woman who’s never done any manual labor.
STACY
(laughs, takes a moment to collect her thoughts)
What I mean is that I never knew why I preferred to be alone for days at a time, would make plans and then want to cancel, or would be completely drained after a few hours at work, a large gathering, or other social events. I also didn’t know why small groups and one-on-one conversations were more stimulating. Being antisocial isn’t a good alibi.
(takes a sip of tea)
FRAN
(jumps up)
What did you do?
STACY
(laughs and stands up)
I’m just kidding. I wanted to see the look on your face.
(They walk over to the couch and sit down.)
FRAN
Being anti-social doesn’t mean you’re a sociopath. However, I might reconsider your other quirks.
STACY
Ha, Ha. There’s a downside to those quirks.
(Pauses, not sure how to explain.)
FRAN
What are you thinking?
STACY
That’s part of the downside. I’m always thinking. I can’t get out of my head. I’ve been bullied all my life for one thing or another, like most people. I’m not trying to downplay, deny that it happened, or pretend that it didn’t bother me. I locked it away, moved on, or ignored the comments and harassment. As I’ve gotten older, the most minor things become a constant monologue in the back of my mind. It’s like there’s been a slow leak in the vault, and I can’t stop it.
( She starts to pace. Everything has become suffocating again, and she’s got nowhere to hide.)
FRAN
(Frand stands up but doesn’t move. She watches Stacy, giving her friend time to process her thoughts.)
STACY
(Stops pacing and faces the audience. The stress from all the years of keeping those memories from surfacing has become too much)
Every job I’ve had was never the best work environment, emotionally, physically, or spiritually. Sure, I made some friends along the way, but I’ve also dealt with emotional abuse and, at times, sexual harassment without showing any outward signs that it bothered me. Some of the abuse was during grade school and into college, but I had friends and family like I do now, so I would just lock it in the vault. Over the past few years, that slow leak has become a waterfall, and I can’t fix it.
(Turns to Fran, sobbing)
I CAN’T FIX IT! HOW DO I FIX IT SO I CAN LOCK IT AWAY WHERE I CAN FORGET?
(whispers)
I just want to forget.
FRAN
(Stays seated but leans forward.)
Why do you want to forget?
STACY
Because it’s better than this.
(She points to her tears.)
FRAN
You mean, it’s better than feeling, and feeling is hard to control when you’re avoiding any type of vulnerability or trauma.
STACY
(offended)
I haven’t been through trauma. I’m not a soldier, domestic abuse or rape victim, or some other survivor of a violent event. Dealing with past bullies, ongoing nightmares, and having anti-social tendencies just makes me a crazy person who would be sent to the looney bin if I told anyone what really goes on inside my head.
FRAN
(Walks over to Stacy and grabs her by the shoulders.)
No one gets sent to the looney bin for not dealing with trauma…
(Stacy starts to interrupt.)
Trauma isn’t something reserved for those who’ve been through war, witnessed or survived violent acts or horrific tragedies. You’ve experienced the silent type. The type that gets stereotyped and folded into tidy little piles that no one wants to accept happens or admits that it’s an issue to be dealt with.
(Pauses and grins)
However, they might make an exception on the looney bin just for you.
STACY
You’d be taken with me.
(They start picking up the dishes and head to the kitchen. Stacy begins to wash, and Fran dries.)
FRAN
What’s going on at work? Do I need to come and break some noses?
STACY
(laughs)
I don’t even know if there’s anything at work that would cause the dam to break. I’m not saying that the stress and pressure of deadlines or producing innovative ideas is a walk in the park, but for the first time in my life, my work environment is a healthy one. We generally want each other to succeed. We have disagreements, but we’re not trying to make them into a reality TV show. For the first time in my career, I’ve found people who want what’s best for their employees and the company. I guess I don’t know how to handle people asking me if I’m ok and meaning it. Or maybe it’s deeper than that. I don’t know; I just feel stuck.
(They put away the dishes.)
FRAN
What do you want to do about it?
STACY
(She picks up the cup she just put in the cabinet.)
What do you see when you look at this cup filled with tea?
FRAN
It’s just a cup of tea.
STACY
Exactly.
(Fran realizes that her friend has taken a considerable step towards working through her pain. She hugs her. The lights dim, and a small spotlight stays on the teacup.)
END SCENE TWO
(Scene Three: The lights come up, and Fran and Stacy are sitting on the couch. There’s a water pitcher on the table, and it’s early morning.)
FRAN
(Pours Stacy and herself a glass of water.)
Why haven’t you told anyone about any of this? It seems like there’s more to it than you want to accept.
STACY
It’s always been another “cup of tea.” It’s just something I’ve drank, and when more was poured, I would drink that, too, no questions asked.
FRAN
Why does everything revolve around tea and books for you?
STACY
(rolls her eyes)
Those are the two things that have brought me comfort. I realize the analogy isn’t comforting, but I guess I’ve tried to make it so.
FRAN
(pauses)
That makes sense for the tea but not for the books.
STACY
(confused)
What’s not to understand? I like to read, and reading brings me comfort.
FRAN
I’m not buying that. Books mean a lot more to you than comfort. You’ve got more books than you do anything else and refuse to get rid of any of them once you’ve read them.
STACY
(starts to get nervous, stands up.)
I might read them again. Why do you care how many books I have?
FRAN
(stays seated)
Because you’re not being honest with yourself, clearly, these books have some other value for you. I’m not saying you should stop buying books, I’m just asking you to answer the previous question.
STACY
(She walks over to one of her bookshelves, runs her hand along the books, and then turns to Fran.)
Books are my escape.
(Pauses)
From everything. Most of these books have gotten me through things I don’t know if I’ll ever talk about, and I guess I’ve associated them with keeping my secrets. I’m afraid if I get rid of them, then whoever reads them will know my secrets.
(Goes back to the couch)
FRAN
It makes sense. When you feel that you don’t have anyone you can trust to tell these secrets to, it’s logical to go to the next best thing. It doesn’t mean it’s healthy, but at least you are aware.
STACY
People who’ve known me all my life only see who my family is. My family hasn’t been perfect, nor have they tried to be, but they’ve been a pillar of my hometown for decades. They’ve never taught me to hide my thoughts or feelings and never told me to be someone I’m not. I didn’t want to disappoint them or shame them because of what I’ve experienced in the past. I’ve always thought that if I was honest about, well, anything, I really would be stereotyped as “that crazy woman in the family” and then institutionalized.
FRAN
(pauses, takes her friend’s hands in hers.)
I’m so sorry. Nothing you say to me will leave this apartment or change how much I care about you. But if you’re looking for True Peace, I can’t give that to you; I know you know that.
STACY
I know.
(pauses)
And thank you for asking me if I would like to join you for a cup ten years ago.
FRAN
(hugs her friend, and they get up to make another pot of tea.)
(The lights fade as Stacy puts the kettle on.)
THE END